Bill "Bojangles" Robinson

1933 Portrait by Carl Van Vechten. Library of Congress.

1933 Portrait by Carl Van Vechten. Library of Congress.

66 years ago today, the great entertainer Bill Robinson died at the age of 71, after breaking down innumerable barriers, and inspiring us all to dance. Born in Richmond, VA, May 25,  1878, Robinson began his dancing career at the age of five, dancing in beer gardens.  At nine, Robinson was hired in a touring troupe to act in minstrel shows, which led him to perform in vaudeville acts and nightclub shows. He also worked as a jockey at the racetrack, but found dancing to be more lucrative than horses. Robinson took a break from performing to serve as a drummer in the Spanish American War.  A legend about the dancer claims he also served in the trenches during World War I, but he would have been 40 at the time and this claim remains unsubstantiated. He did, however, put on free shows for thousands of troops before they shipped out to fight during the latter war; receiving a commendation in 1918 from the War Department. 

Robinson's talent got him noticed by many, and after working steadily for years, and finally at age 50, he made his Broadway debut.  In 1928, Robinson starred in the first African American Broadway show, "Blackbirds of 1928." He then went on to make his film debut in 1930, in a movie called "Dixiana." He then starred in "Harlem is Heaven"--the first movie with an all African American cast ever made. In 1935, the first of his four movies partnering him with Shirley Temple came out; "The Little Colonel." This movie marked the first time an interracial dance team appeared on screen, and Robinson formed a close friendship with his young partner. His last film was "Stormy Weather," a musical based loosely on Robinson's life, and also starring Lena Horne.  Robinson's protagonist was a dancer returning home from World War I to pursue a career performing; likely one of the sources of the myth that Robinson did in fact serve in said war.

1941 Portrait by Carl Van Vechten. Library of Congress.

1941 Portrait by Carl Van Vechten. Library of Congress.

During his lifetime, Bill Robinson faced a lot of criticism that he played into white stereotypes of African Americans. While  Robinson was forced to accept the roles provided for black actors in his time, he fought hard against these stereotypes off the stage and screen--convincing Dallas police department to hire its first African American policemen, lobbying FDR during World War II for more equitable treatment of African American soldiers, and co-founding the New York Black Yankees team in Harlem. Known for his generosity, Robinson performed for free in over 400 benefit shows, and gave away much of his fortune; dying penniless, Ed Sullivan paid for Robinson's funeral. His generosity often extended to his fellow performers, including teaching actors Sammy Davis Jr. and Ann Miller to dance. In 1989, the US Senate declared Robinson's birthday, May 25th, to be National Tap Dance Day.

Wacky Whiskers Wednesday: Dalí's Stache

Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí de Pubol (seriously, that's his real name), known more commonly as Salvador Dalí, was a prominent Spanish artist who is known for his bizarre surrealist paintings.  Possibly his most recognizable work, "The Persistence of Memory," was completed in 1931 and is still considered a pop culture icon today.

The Persistence Of Memory, 1931 

Dalí's often eccentric behavior, self-proclaimed love of "everything that is gilded and excessive," and unique personal style was often discussed by his critics and irritated those who held his work in high esteem.  One of his most distinguishing features was his flamboyant facial hair.  In a 2010 British “Movember” poll, Dalí’s facial hair was voted the most famous mustache of all time, and we Archive Gals think that’s a pretty big achievement!

While appearing on a game show called “The Name’s the Same” in 1954, Dalí was asked (4:00) if his mustache was a joke, to which he responded: “It’s the most serious part of my personality” and “It’s a very simple Hungarian mustache. Mr. Marcel Proust used the same kind of pomade for this mustache.”

The Archive Gals hold Dalí's facial hair choices in the highest esteem and believe you should always let your true self shine through! Thanks Dalí!